Posts Tagged ‘Batumi’

It seems like you have a friend everywhere

October 29, 2010


Nataša Zavolovšek: When I heard for the Seas x expedition from Istanbul to Batumi, I immediately sent a mail to Chris Torch, that I want to be on that bus. I just knew that this would be something interesting.

On a sunny Sunday after IETM satellite meeting in Istanbul, I and Michel Quere from IETM landed in Batumi to join SEAS X in Adyer.

Despite that a taxi driver waited for us at the Turkish border, we could not miss a coffee in Batumi. Batumi is blooming city, the goal is to become the jewel of Black sea. And what I saw; it is on its way to become a leading touristic city on the Black sea. The coffee was good, our taxi driver was a kind guide, it is nice to see that people are proud of their city, he showed us all important things and took us safely to the border.


taxi driver and cultural promotor, photo by Natasa

The border reminded me of ex Yugoslavia. Each time, when I wanted to leave our country, it was the same tiring procedure. Waiting in a long line, then they suddenly change the lines, people mostly women, pushing us etc. Suddenly one woman fell down and Michel jumped to help her, I assisted him and when she was better, all the women who were very unkind before, thanked us and gave us a priority in the line.

The taxi driver was still waiting for us, but I got an sms from Borut, technical director of SEAS and  of Exodos, that he had already gone and that we behaved like stars, who let people wait..

The drive was perfect, it was already night, small cities passed by and we stopped on the mountains. What a difference. From noisy Istanbul to this small calm village, between the hills, all around there was water and small wooden houses, hotels. We met all the artists, a nice meeting; I knew most of them from SEAS Balchik in 2008. We got to know the new artists in the evening, drinking Turkish coffee and tea, while they presented their work. Some impressed me and irritated me, a good starting point …

In the next few days, I had the possibility to see what culture can do. Not big shows but simple performances and workshops. We visited places where people haven’t seen a theater performance for years, if at all. What impressed me was their curiosity and quick response. The audiences in Turkey were mostly older men, some kids, mainly boys. Hopa is an extreme town. The last city before the border, mainly truck drivers, men sitting in front of coffee houses looking dangerous, but when they watched the SEAS event they became all friendly, kind and focused. The Turkish performance WAITING… was just the right one for them. As they are waiting for next day to go on the road.

When we came to Batumi the second time, Batumi looked different. It is still a blooming city, but you can see also a big discrepancy between the new expanding hotels, buildings and the real life of most of the people. Streets without asphalt, many small shops and people selling cigarettes and other small things on the streets. Waiting in long lines for school books. You can still feel that they were a part of the Soviet Union and the word Russia is almost forbidden.

A huge difference between Georgia and Turkey. In Turkey you have problems for 5 minutes; in Georgia they are slow to find solutions. But in Batumi, one of the nicest buildings is the theater. In Hopa or other Turkish cities there weren’t even small culture houses.

The Georgian folk dance performance was really amazing. What energy. I started to think about why contemporary dance is avoiding all connection to folk dance. It is a pity, in a way. The audience was different, mostly young and many women too, less direct then the Turkish audience. More suspicious. But one old lady asked us for a little SEAS flag as a present for her, while Borut was hanging them in the harbor.

She got a present, we got an experience, they got new knowledge with the SEAS events and we got new knowledge about Georgian culture and life. We opened some windows for them and they opened some doors for us. Nice exchange.


The Black Sea, photo by Natasa

When I smoked my last cigarette in front of Batumi airport, I saw my first taxi driver, we smiled and waved and Linzi said: “it seems like you have a friend everywhere.” On such cultural expeditions you can get them. Culture is for sure one of the things which connects people.

natasa zavolovsek , director of Exodos festival and producer, coordinator for SEAS Baltchik

EXODOS, Ljubljana/Slovenia

Batumi/Zagreb: An eccentric comic tale on Georgias recent history meets a futuristic dance/performance on utopias and ideologies of the East and West.

September 30, 2010


All photos by John Byford.

The League of Time – performance
BADco. Croatia
A complex operation in time. What happens when the founding social narratives no longer offer the key to understanding reality? A combination of Kafka, futurism, Soviet sci-fi and Eastern European ufology.

In all SEAS events the programme has combined SEAS productions and local art and performances. The SEAS productions are inspired by harbour cities and meetings with other SEAS artists (DATES). A criteria for all productions, be it installations or performances, has been that the piece should work in urban spaces and be easily transportable. However sometimes a traditional theatre works just fine as the presentation space. The gold painted stucco of the audience boxes in the background of the BADco. performance blends in beautifully. And the two performances that were presented at The Batumi Drama Theatre, one local production and one SEAS production, really contrast each other nicely in aesthetics and story: An eccentric comic tale on Georgia’s recent history meets a futuristic dance/performance on utopias and ideologies of the East and West.

Banana and Quince Pudding in Cognac and Rome – performance
Ilia Chavchavadze Batumi State Drama Theatre, Georgia
An eccentric comic tale with a touch of the grotesque, played out in a family’s ordinary kitchen, illustrating Georgia’s recent history and the tragic events of the Russian invasion of August 2008.


All photos by John Byford.

Tiblisi based national newspaper on SEAS X Batumi festival

September 30, 2010

4 Georgian reviews of the SEAS X Batumi festival by the theatre critic, Tamar Kiknavelidze, in the Georgian national newspaper 24 Saati.

http://24saati.ge/index.php/category/culture/2010-09-28/9811

http://24saati.ge/index.php/category/culture/theatre/2010-09-25/9689

http://24saati.ge/index.php/category/culture/2010-09-23/9623

http://24saati.ge/index.php/category/culture/2010-09-01/9205

Article before the events also by Tamar Kiknavelidze:

http://24saati.ge/index.php/category/culture/2010-09-29/9841

Adjara TV on SEAS X Batumi festival

September 30, 2010

This is all in Georgian, for those of you who speak Georgian. The first link gives some images from the performances.


http://adjaratv.ge/ge/index.php?page=shownews&id=29090

http://adjaratv.ge/ge/index.php?page=shownews&id=29054

http://adjaratv.ge/ge/index.php?page=shownews&id=29046

Wishing I was on the artist touring bus… + spectacular opening

September 23, 2010

Linzi Gibbs ; Assistant Producer: Dance4, hit Batumi last night, alongside Ida from Intercult and some of BADco.; fresh from Istanbul:

I am coming over as part of Dance4 international centre for the development of extraordinary 21st century dance based in Nottingham, UK. We have supported 3 UK Artists to be part of the SEAS expedition, so I am here to take in the SEAS festival, support the UK artists and meeting the other artists (there are so many, and from all over Europe and beyond!)

Last night we went to the Batumi Drama Theatre for the grand opening ; and what a grand opening it was! There was a performance by traditional Georgian dance company, supporting by live music and singers. It was spectacular! The energy of the performers was immense and the atmosphere in the audience was full of excitement. It felt like a great start to the SEAS X Batumi festival, kicking off in Batumi today.

So since then, I have been on a fact finding mission ; talking to artists about their experiences on the expedition, about their practice and how they found themselves at SEAS. I am amazed at some of the stories from the artists, some on their first SEAS experience ; making this a real research trip for them. Some on their first ”date” with another artist (met on a previous SEAS) and some SEAS regulars, performing during the next few days.

It sounds as if the SEAS crew have made a real impact on some of the small villages and towns visited during the expedition through Turkey ; some audiences seeing this kind of performance for the first time, but remaining so open and curious. It has left me wishing I was on the artist touring bus! But now off to take in a little of Batumi and then on to our first performance of the festival – Ilia Chavchavadze at the Batumi Drama Theatre. Looking forward to taking my experiences back to Dance4 ; and following the artists post SEAS.

Greetings from Georgia

Linzi Gibbs

DATE Chris Biddlecombe and Kajsa Sandström

September 23, 2010

Last day for Chris. We are in Batumi, a Georgian city only a few kilometers from the Turkish border but very different from the variety of communities we have visited in the last 8 days along the Turkish Black Sea coast.

It has been a fascinating and challenging set of experiences. At the same time taking on board the work of the other artists that have been touring on this journey and the response and interaction of the people and towns and the meeting between us two.

We have started to develop towards a collaborative methodology that takes into account my more playful, action based experiments with Chris’ more research led construction processes. It was good to genuinely share our two approaches within the framework of the journey – opening up to unexpected occurrences and meeting the other artists and audiences.

This journey will stay with us and act as a springboard effecting the questions, ideas and purpose for our future project.

Wonderful experience!
Kajsa & Chris

news run fast

March 11, 2010

a team from Adjara tv and several other journalists from local radio and tv stations followed us around at all meetings, took pictures and interviews at the theater, at the film festival office, at the rehearsals of folk dance company and finally at the ministry of culture. there is a true hunger of making contacts between Batumi and the rest of Europe. a small sample of press coverage in English translation.

while being in the office of the head of the city theater, the director received even a phone call from the head of the government of adjara, expressing his support and apologizing for not meeting us. reason: the president is still in the city! we went to a dinner not with the president.

seas video projects

March 11, 2010

SEAS has several projects which involve video and film. for them we met with Batumi alternative film festival, a NGO initiative. very enthusiastic team, willing to take on film and video projects in uncommon spaces. We hope to get their support in being connectors to the emerging art scene in Batumi.

what a treat!

March 11, 2010

Yes, I could mention the food, yes, I could mention the wine, but today we received the most wonderful gift: to assist at the rehearsals of Batumi dance company. Georgian traditional folk dances, what a masterpiece! So skillful, energetic, powerful expression and a total experience with live music on stage!

batumi city theatre

March 11, 2010

Last night we have been invited to see a first performance at the Batumi City Teatre. A newly written drama about the war between Georgia and Russia, told through a metaphorical story of an arranged marriage between a Georgian girl and an older man, who proves to be Russian. Performed in a very comical genre, with symbolical set, costumes and details, the stage was slowly letting the tension interfere, though the instruments were still toys, shooting ballons and small flying helicopters.

Very young audience on a Wednesday evening, immediate warm reactions to what was going on on the stage. Tonight we’ll see a modern Faust interpretation, a newly commissioned text. So, the image of an old city theatre, with no openness towards new is not valid for Batumi.